Théâtre de Cristal, 2007 Kent Monkman, Cree Artist
chandelier, plastic beads, acrylic string, cabochons, simulated buffalo hide and super 8 films
© Kent Monkman, image courtesy MacKenzie Art Gallery, photograph by Don Hall.
The scope of this exhibit is pretty amazing, including sculpture, textiles, photography, ceramics, paintings, and large installations. Items are drawn from collections in the U.S., Canada and Europe. The art displayed represents the Native American culture from 200 B.C.E. to the present.
Seeing images from this exhibition could shift the shape that we might automatically assign to Native American art, realizing it is not simply ethnographic craft.
CSST V2.0, 2011, Pat Pruitt, Laguna Pueblo artist
stainless steel necklace
Wicked Local Photo by Nicole Goodhue Boyd
The show is grouped into four conceptual frameworks consisting of: Changing, Knowing, Locating and Voicing. The works are placed in context as artistic achievements rather than being shown as historical artifacts. By doing this, it impacts and changes the common views on Native American art, reinforcing the continuity between past and present. Read more: New show transforms understanding of Native American Art
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