Art and Dance
The design/business side of my life has brought a whole new world of enriching art experience to my world this past year. My business partner and I have launched an online destination for adult ballet dancers, BalletforAdults.com. I am wholeheartedly loving this project for creativity I can bring to it.
Integration of photography, vintage ballet paper doll cutouts
BalletforAdults.com
We are playing with all sorts of fun artistic experimentations, from photo shoots with vintage ballet items, to animated gifs, and finding fine art on Instagram.
Animated gif of book cover for “Cantique”, by Joanna Marsh
Ballet for Adults
One of my pet projects for our site is an Instagram account called @danceartgallery. I am growing to love this research as much as I love doing the research for this art blog. There is so much inspiration to be found, and it is fascinating to see portrayals of dance through history and through all cultures. Dance and Art have been hand in hand since prehistoric time.
“Midnight Campfire” found on Instagram, Iluka Designs
Dance and art are both visual. Watching a performance or studying a painting can take you into your imagination and beyond your self. Inspiration can be found, and both of these mediums speak to the inner heart.
The Arabesque
Ballet Arabesque
image from Wikipedi
I picture a dancer in arabesque, poised gracefully on the tip of one toe, her other leg straight behind her at 90 degrees, one hand back and one artistically stretched forward — the embodiment of grace in classic ballet.
The name arabesque applied to the flowing ornament of Moorish invention is exactly suited to express those graceful lines which are their counterpart in the art of dancing. [“A Manual of the Theory and Practice of Classical Theatrical Dancing,” 1922]
Look a little deeper into the arabesque, and you find a rich history, and the story of biomorphic art. Here, the arabesque refers to flowing, spiral patterns that represent the underlying order and unity of nature. Interwoven lines form They are a fundamental element of Islamic art, and have subsequently been found in European, and then Western design.
Photo by RD Shaw, from islamic-arts.org
The intricate patterns of the islamic arabesque symbolize the infinite, the nature of creation, conveying spirituality without iconography. The photo above was taken in the Alhambra, a palace and fortress in Southern Spain.
Design Art, Arabesque en Grisaille, Antique Watercolor, 19th Century
from http://georgeglazer.com
The art of the arabesque moved on to Europe, and from Renaissance until the early 19th century, it was used to decorate illuminated manuscripts, walls, furniture, metalwork and pottery. As the design was westernized, human figures were sometimes introduced into the design.
Mahmood Kaiss, The Dome, 2017
featured at The Museum for Islamic Art: Contemporary Arabesque exhibition Jan – Apr 2018
If you are around Winter Park, Florida this summer, you can stop in at the Albin Polasek Museum and Sculpture Gardens. They are hosting an Arabesque Exhibit, interpreting Islamic art through the eyes of contemporary artists.
Article Credits:
http://artofislamicpattern.com/resources/introduction-to-islimi/
Dumpster Diving: Organized
I think I have mentioned before that I am often teased about my penchant for over-organizing things. So when I came across an article about Kevin Harman and his “Skip” projects, I was immediately drawn in. I think there is a mandala-like quality to this work, so painstakingly arranged.
Kevin Harman, Skip 13 (2012).
(found on artnet.com: Photo by David Fernandez, courtesy of the artist and Ingleby, Edinburgh.)
Harman actually brought a rusty old dumpster to Frieze, New York (featured by Ingleby Gallery of Edinburgh). He does clean each dumpster, emptying it piece by piece and discarding all organic material. He then sorts all of the trash by material and color, and rearranges it neatly back into the dumpster.
Kevin Harman, Skip 16 (2018)
(Photo by Christopher L. Cook, courtesy of the artist and Ingleby, Edinburgh, found on Quiet Lunch)
Although Quiet Lunch rates Harman on the Worst of the Day list for Frieze, I have to disagree. I think there is beauty to be found in the symmetry of organizing. Piece by piece, layer by layer, section by section, the sedimentary layers of trash are compiled to create a satisfactory design.
Kevin Harman, Skip 2
(photo by Julian Gough)
For his “Skip” project, Harman worked in rubbish containers around Edinburgh. Sometimes he would hang around after finishing, just to see builders’ reactions when they came to work and found their garbage neatly stacked.
“Problem-solving the material into a structure and then standing back and looking at it gives me a massive sense of satisfaction…It’s like changing your room around or folding up your clothes up in your wardrobe. You know how good that feels—it’s amazing!” (Kevin Harman, from artnet.com)
Spring Burning
In the Midwest it’s the season for burning. In the parks, the prairies are burned to help manage weeds, restore nutrients, and lead to more more desirable plant growth. I was participating in a restoration workday, hauling brush and playing with fire. Maybe that’s why I found Theodora Allen’s soft, muted artwork today.
Wildfire, No. 4, 2016
Theodora Allen
Allen applies thin layers of oil paint, slowly building up the painting. She then uses a soft cloth to systematically remove the paint. What is left is the pigment that has been able to soak into the linen. The shadow of a painting, remaining, much as the memory of the blooming prairie hovers in the consciousness as the field is burning.
Wildfire, No. 1, 2014
Theodora Allen
“It’s a process that retains the traces of every decision – the material has a memory. It’s why the images in the paintings appear to be both forming and disappearing” -from an interview with Allen in ArtNews.
Calendar, No. 2
Theodora Allen
Allen was featured this past winter at Strange Attractions, The Anthology of Interplanetary Folk Art Vol. 1 Life on Earth, a group show organized by Bob Nickas in Los Angeles,CA. This month (April 2018) through May 2018 she is featured in Galleri Nicolai Wallner, in Denmark.
View her website: http://www.theodoraallen.com/
Lacy Paper Dreams
Another Black Dress With Its Own History
Eugenia Zoloto is a Unkranian artist who creates fantastical, intricate cut paper artwork. She uses an X-acto knife to meticulously cut out images that draw you into a fairy tale world.
Handmade frames for my paper works
Every time when you create something new, develop new skill, etc – you feel almighty , that’s what I liked . . . Now I became a mother, I have a loving family and I want my child to look at me and be proud of, learned a lot and walked in the footsteps of creativity.
Birds Made a Nest in My Hair
Zoloto is a lifelong reader, inspired by noir Russian literature. She takes her inspiration from written pages as well as strange dreams, and beautiful songs. Nature is a common theme running though her works. She also credits her grandmothers as inspiration, sewing doll dresses for her with beautiful Ukrainian embroidery, and knitting home decor.
Blossom
Her larger pieces take up to 7 hours to create. As a mother of two, she struggles to find time for her art and often works at night, finding it the best time to be creative.
Purchase Zoloto’s artwork on Etsy.
View on Instagram | Behance | Saatchi
Images from Eugenia Zoloto on Behance.
A Gothic Twist
Nautilus (scale model), 2011
laser-cut stainless steel
It was hard to choose what to feature from the prolific portfolio of Wim Delvoye. Start with his website home, a techie, video-game-like interface that is great fun to explore. Dive into the site and one project is as fascinating as the next, full of intricate details and bizarre twists and turns. Live tattooed pigs. Painted ironing boards. Life-sized stained glass goal posts.
Delvoye creates fantastic sculptures from laser-cut steel. His sculptures in this style include life-sized construction trucks, but the classic form of the nautilus shell is mesmerizing.
Devoye is a Belgian artist, his home portfolio beginning in 2008 with a solo show in Brussels and many group exhibitions that same year. He is considered a neo-conceptual artist. His unconventional use of media, and his often shocking exhibitions define his most well-known work. Museum Tinguely in Switzerland recently hosted a major retrospective, showcasing his work from early days to the present.
The Art of Brainwork
You have to be amazed by your own brain. Really, think about all that your brain does for you, and the processes and synapses that fire away so that you can function every day. It’s really a beautiful thing. The artwork of Dr. Greg A. Dunn takes you into the mystery and beauty of the human brain. He and his colleague Dr. Brian Edwards invented a technique that manipulates light on a microscopic scale. Dunn creates microetchings, hand-made lithographs that capture a moment of reflection in the incredibly intricate tapestry of the brain. Reflected microetching unveils a view into the brain that touches upon the delicate balance of neural choreography. 
Microetching is one of the techniques that Dunn uses to create his amazing artworks. He also works with an ink-blowing technique to to form intricate works that could be forests, trees, or forests of neurons in a mind-blowing landscape. 
Dunn is a fan of Asian art, and the minimalist scroll and screen painting techniques from the Edo period in Japan. He draws from that inspiration, and combines it with the knowledge gleaned from having a doctorate in Neuroscience. Visit Dunn’s website to view more of his beautiful and detailed work.
Honeycomb
I’m working on my second honeycomb piece. The first one looked amazing, and then I tried fusing the top details onto the base and it melted into a puddle of color. This is a photo of my second try before fusing. I would like those top details to nicely melt, just a little bit, into the base. The problem is that when you heat all that glass together, it must heat and cool at the same rate. If those thinner top pieces cool slower than the thick bottom, they will crack, or the whole piece will crack. It gets complicated. Stay tuned to see if I can figure out a very slow fusing schedule that will heat and cool everything to perfection.
Jenna’s Dragon
Combination of stained glass background with fused glass dragon. This was a commissioned piece.
New wiring for the kiln
We have been fusing glass downstairs in the home studio since we bought our Skutt kiln in 2004. It has been a workhorse, but we are dealing with our first repair issue. We programmed it to go one night, and the screen displayed the dreaded Err1 message. I could have guessed what was wrong, but was really glad that I gave Skutt a call. Their technician was amazing, and patiently led me step by step through using a multimeter to diagnose the problem. It turned out to be a bad relay. That would have been minimal to replace, however, I thought it was good advice to purchase a whole new panel. The base they use now is much heavier, giving more heat protection to the elements. Considering the age of the kiln, I thought it a great value to purchase the whole panel for under $200.
Crazy, huh? It took some time to re-wire all those connections to the circuit board, carefully following Skutt’s instructions, using their thoughtfully tagged wires.
So now we’re back in business! The fusing continues. Stay tuned for some new pieces coming out of the kiln.
Time for a Change
Warm weather is coming, spring is in the air, and its time for a change. This will be the last post on this particular blogsite, although I will leave it here as an archive.
When I started this blog, I enjoyed playing with the free tools at WordPress.com, and created my blog and website here. Fast forward to 2015, and my life is moving forward and expanding in many directions. Instead of being confined to the free templates of WordPress, I have immersed myself in learning how to work with custom templates, manipulating them and creating custom websites with my business partner in graphic design.
The inspiration found in writing an art blog and scouring the internet for ideas has turned into a focus into my own business of creation. I am thinking about continuing a variation of this art blog on my Rowanberry Studio home site, but will not do the research I have done here, which I love, but is very time consuming.
Thanks to those of you who have followed and those who have kindly commented. Namaste.
Find me here:
Anish Kapoor on Artsy
Have you been to Artsy yet? Prepare yourself, you could be lost for years in the intricacies and information in this site.
This is just a small glimpse of this crazy busy website. Follow your favorite artists, browse galleries, museums, fairs & shows, auctions, for sale, education… the list goes on. The site goes on. And on. And on.
So let me focus on one of my favorites – Anish Kapoor. A rep from Artsy contacted me, suggesting the new Anish Kapoor page on Artsy, and I think it’s a great thing to share, so I’m spreading the word.
Canvas, Anish Kapoor
-from http://artsy.net
Artsy is a site that takes everything to the next level. Each page could be a site in itself, and Kapoor’s page is no exception. View his artwork and read his bio. Move on to articles that present yet another dimension into the artist’s life. See upcoming exhibitions. Then take it a step further and delve into related artists.
Get lost in Artsy and have fun exploring, or bookmark it and use it as a reference. Lots of info here, and plenty of eye candy as well!
GAS Conference in Chicago
Warm weather is coming, spring is in the air, and its time for a change. This will be the last post on this particular blogsite, although I will leave it here as an archive.
When I started this blog, I enjoyed playing with the free tools at WordPress.com, and created my blog and website here. Fast forward to 2015, and my life is moving forward and expanding in many directions. Instead of being confined to the free templates of WordPress, I have immersed myself in learning how to work with custom templates, manipulating them and creating custom websites with my business partner in graphic design.
The inspiration found in writing an art blog and scouring the internet for ideas has turned into a focus into my own business of creation. I am thinking about continuing a variation of this art blog on my Rowanberry Studio home site, but will not do the research I have done here, which I love, but is very time consuming.
Thanks to those of you who have followed and those who have kindly commented. Namaste.
Find me here:
Mesmerizing Dot Murals
Artist Julie Clement creates intricate designs made of dots.
Clement’s Venus and Sun was displayed at the Longmount Museum & Cultural Center in Longmont, CO. Her pointillism follows renowned artists Lichtenstein and Seurat. It brings to mind the artwork of Australian aboriginal artists.
Clement is pictured working on her mural “Venus and Sun” in 2012 at the Longmont Museum and Cultural Center, Photo by Lewis Geyer/Times-Call.
She is described on her website as “vivacious; and her energy, contagious!”, and looking at her colorful, flowing images certainly reflects that energy. Her paintings are composed of hundreds upon thousands of dots, and she describes her process as meditative. She draws inspiration from dreams, books, and life experiences.
Venus and Mercury, 11″ x 14″ Metal
Clement paints with acrylic on canvas, metal and wood. Visit her website: http://clementinedotart.com
there is grass under all that snow
Combination of stained glass background with fused glass dragon. This was a commissioned piece.
a new look, reflecting
It’s a new look for the Rowanberry Blog this year, and I have a new goal to strive for in continuing to post. Reflecting back on this artistic journey, I just can’t let it go and give it up. I have to keep trying to find the time to share artistic inspiration, at least more consistently if not as frequently. I also wanted to upgrade the look of the blog to be able to share larger images. There’s nothing like the impact of a large, beautiful image. For those who spend more time on the phone screen, I guess it might not matter, but if you get home to a nice large monitor… wow!
Today I am sharing some beautiful and somewhat surreal photography from Cody William Smith. He is a photographer and cinematographer with some interesting work. These pictures are from “A Moment’s Reflection”, from June of 2013.
“A Moment’s Reflection” is my ongoing study of specular, or mirror-like, reflections. My intention is to draw new connections between familiar forms by introducing specular reflections to environments where none would typically exist. The mirrors serve as a focal point within a given scene and also function as a window to provide an entirely unique perspective on the same location. -Cody William Smith
Smith specializes in landscape, fine art, and environmental portraiture. In the film world, he freelances as a gaffer, 1st AC, and photography assistant. He has an interesting set of credits to his name, including being involved with several professional music videos, short films and magazine shoots.
Visit Smith’s website: http://www.codyslr.com/
go ahead and wire that baby
Kind of a convoluted blog story, but I belatedly saw this article (from 2011) and cracked up.
“The Physical Impossibility of Death in the Mind of Someone Living” by Damien Hirst
(Image credit: Fickr user Rupert Ganzer)
Kind of ironic that in “the physical impossibility of death”, the dead tiger shark suspended in an acrylic tank filled with 224 gallons of water immediately began to rot. Hirst’s artwork was on display at London’s Saatchi Gallery. It started to smell, and efforts began to stem the odor. They added bleach, which only made the shark decompose faster. Read the whole, fascinating story here: Neatorama.
I shouldn’t laugh – karma will always come back to you in the end. As much as you think you plan your artwork, you never know what you may forget to consider.
My fellow glass studio workers consistently tease me for the “Oeffling Standard of Work: Make it Last for 100 Years.” I insist on structuring pieces as best I can, to be as sturdy as they can be, so that they can withstand handling and often, outdoor elements, for as many years as possible. (No, I don’t believe I would guarantee one hundred years…)
So every dimensional stained glass piece I create has copper wire painstakingly soldered around each outside edge. This can add up to an hour or more of work for a small piece, not to mention copious amounts of solder, which keeps increasing in price. The copper wire reinforces the piece, holding it together as gravity tries year after year to make it sag apart.
So “ha” to my lovely co-creators in glass! Learn the lesson from Damien and wire that baby!
Walking is the way
Catherine Willis
the perfume rings: exhibition curated by Diana Esnault-Pelterie
“I consider my work as an exploration and a celebration of nature. To pay attention to smell is my way to observe quietly what I encounter on my path, a form of meditation, “Caminando se hace el camino.” (translated, “walking is the way”). My blog is called Chemin Faisant. If you are really quiet, everything has a scent, even the pebbles, even the meteorites.
It is my way to acknowledge the mystery of being alive on this planet.” – Catherine Willis
Catherine Willis
ROOTS. a Perfume Ring.
July 2013 figtree branch, cinnamon bark, root from a planetree, textiles, metal, rubber.
Willis is always looking for interesting papers on which to create pieces. She has used essential oils as pigments, but also has utilized beeswax based pastels or watercolor.
Catherine Willis
FULL FATHOM FIVE
graphite and ink on filipino paper. 2010
Willis has also participated in olfactory performances, burning perfumes while accompanied by musicians playing instruments.
Her blog is a delight: http://catherinewillis.tumblr.com/
Forest Light
One of my first mandalas, still one of my favorites. Especially when the morning light makes it sparkle on my wall. Soft, dappled light filtering through green branches, sparkling on the forest floor. Quiet. Peace.
Layers of Light
I am enjoying the artwork of Jun Kaneko (thanks to Brandie for the link to this artist!). He is an incredibly prolific artist, producing work in Ceramics, Bronze, Glass, Textile, Drawing, and Painting. Whoa.
Jun Kaneko, Installation View, Bullseye Glass
The beauty of glass is in its capture of light, and Kaneko’s installations wow the eye with color and reflection.
Hump, Glass, 2001Kiln-formed glass| 6h x 18w x 10.5d in. | Photo credit Dirk Bakker
Kaneko was born in Japan, and began his studies in painting. After coming to the U.S., he was drawn into sculptural ceramics. He has taught at some of the nations leading art schools, and holds honorary doctorates from several notable Universities.
Jun Kaneko, Mission Clay, Fremont Project,1993-1995
He has fantastic pictures on his website. I love to see the scale of the work as shown by the photo above. See the finished pieces below.
Jun Kaneko, Mission Clay, Fremont Project,1993-1995
Kaneko plays with scale and proportion, and is a pioneer in the field of monumental ceramic sculpture. His latest exhibition can be seen in Millennium Park in Chicago, IL, in the Boeing Galleries, from April through November of 2013.
Jun Kaneko, Legends, Myths and Truths,
Temporary Exhibition: April 12 – November 3, 2013.
See more on his website: http://www.junkaneko.com/
Birds like you have never seen them
I came across some unique and beautiful photography today, from the lens of Bob Croslin.
Bob Croslin, “Cedar Waxwing”
Croslin starting taking portraits of injured birds at a local bird sanctuary in Florida.
Bob Croslin, “White Pelican”
Every Wednesday I would show up and photograph a bird or two never knowing what kind of bird and if I’d even come away with an image. I’d set up lights and a back drop and cross my fingers. Birds, like humans, don’t like to be in a new environment and would immediately run for the exit. Add a camera and several lights and inevitably we were corralling birds – no easy feat because several of the birds were still flighted. I can’t count how many times I was told by a sanctuary volunteer that there was no way I’d be able to photograph a particular bird – especially the shore birds. Every time I’d make an image that would blow them away. Nothing like a challenge to bring out the best in me. – Photographer Bob Croslin
Bob Croslin, “Yellow Crowned Night Heron”
Croslin was, in his own words, a “punk rock kid” who discovered a love for photography. Floating around without a definite goal, he ended up at the University of Florida, majoring in Journalism. This is where he really fell in love with telling stories with a camera.
His photos have a surreal quality, making you want to study them closer. They do draw you in to the tale. See more of his work on his website: http://www.bobcroslin.com/
Slow Spring
It’s a slow, cold, wet, spring in the Midwest. Snow flurries today. I dream of lovely summer, bursting with green growth and scent and songbirds …
Out of the kiln yesterday:
“Hedgerow”
field trip, as promised
One of my first mandalas, still one of my favorites. Especially when the morning light makes it sparkle on my wall. Soft, dappled light filtering through green branches, sparkling on the forest floor. Quiet. Peace.
neglected blog . . . glass resuscitatation
Poor, neglected blog! I have been kept busy these days with other things, and I really need to post something new!
Fortunately, I have just the thing. I was recently invited to attend a field trip with The Midwest Contemporary Glass Art Group (MCGAG) to the Bergstrom-Mahler Museum in Neenah, Wisconsin. The museum had a wonderful exhibit on the legacy of Harvey Littleton and his students. Harvey was a ceramic artist and professor who is known as the “Father of the American Studio Glass Movement”.
Historic Bergstrom mansion, now home to the Glass Museum
The Museum is celebrating the 50th Anniversary of the Contemporary Studio Glass Movement. This is particularly fascinating to me as an art-lover and glass artist. Harvey Littleton paved the way for artists like myself to create art in their own home studios by developing a small, relatively inexpensive furnace that allowed artists to bring glass from factory production into home experimentation.
Harvey Littleton (American, b. 1922), Blue Crown
pulled and cased glass, 1988
-from http://www.kornbluthphoto.com/TwentiethCentury3.html
Littleton’s students are some of the most world-renowned glass artists of our time, including Dale Chihuly and Marvin Lipofsky.
Dale Chihuly, Wild Poppy Persian
from http://www.vetriglass.com/category/38167306101/1/Dale-Chihuly.htm
Marvin Lipofsky, Group Taiwan #4
from http://www.duanereedgallery.com/Artists%20Pages/lipofsky/lipofskytaiwan4.html
It was hard to narrow the blog material down for this post. I could go on about the Bergstrom-Mahler Museum, the history of art glass, Littleton, Chihuly and Lipofsky, and all their contemporaries. This blog post could go on for weeks, and I like to keep my posts short and graphic. If you are interested in more, visit the links listed, and stay tuned for the next blog post to read about the rest of our field trip and a thrilling glass adventure in the farmlands of Wisconsin…
The Bergstrom-Mahler Museum: Wisconsin’s Glass Museum http://bergstrom-mahlermuseum.com/
Harvey Littleton http://en.wikipedia.org/wiki/Harvey_Littleton
Dale Chihuly http://www.chihuly.com/
Marvin Lipofsky http://www.marvinlipofsky.com/
stream of light
One of my first mandalas, still one of my favorites. Especially when the morning light makes it sparkle on my wall. Soft, dappled light filtering through green branches, sparkling on the forest floor. Quiet. Peace.
new website
Poor, neglected blog! I have been kept busy these days with other things, and I really need to post something new!
Fortunately, I have just the thing. I was recently invited to attend a field trip with The Midwest Contemporary Glass Art Group (MCGAG) to the Bergstrom-Mahler Museum in Neenah, Wisconsin. The museum had a wonderful exhibit on the legacy of Harvey Littleton and his students. Harvey was a ceramic artist and professor who is known as the “Father of the American Studio Glass Movement”.
Historic Bergstrom mansion, now home to the Glass Museum
The Museum is celebrating the 50th Anniversary of the Contemporary Studio Glass Movement. This is particularly fascinating to me as an art-lover and glass artist. Harvey Littleton paved the way for artists like myself to create art in their own home studios by developing a small, relatively inexpensive furnace that allowed artists to bring glass from factory production into home experimentation.
Harvey Littleton (American, b. 1922), Blue Crown
pulled and cased glass, 1988
-from http://www.kornbluthphoto.com/TwentiethCentury3.html
Littleton’s students are some of the most world-renowned glass artists of our time, including Dale Chihuly and Marvin Lipofsky.
Dale Chihuly, Wild Poppy Persian
from http://www.vetriglass.com/category/38167306101/1/Dale-Chihuly.htm
Marvin Lipofsky, Group Taiwan #4
from http://www.duanereedgallery.com/Artists%20Pages/lipofsky/lipofskytaiwan4.html
It was hard to narrow the blog material down for this post. I could go on about the Bergstrom-Mahler Museum, the history of art glass, Littleton, Chihuly and Lipofsky, and all their contemporaries. This blog post could go on for weeks, and I like to keep my posts short and graphic. If you are interested in more, visit the links listed, and stay tuned for the next blog post to read about the rest of our field trip and a thrilling glass adventure in the farmlands of Wisconsin…
The Bergstrom-Mahler Museum: Wisconsin’s Glass Museum http://bergstrom-mahlermuseum.com/
Harvey Littleton http://en.wikipedia.org/wiki/Harvey_Littleton
Dale Chihuly http://www.chihuly.com/
Marvin Lipofsky http://www.marvinlipofsky.com/
sculptural typography
Finding the right typography for a graphic design project can take me hours. In looking for something functional, I often get sidetracked by creative and fun ways that designers re-create alphabetic design.
“Abusive Pencil” font by Scotticus
Today’s fun find is a sculpture based on the art of Wassily Kandinsky. Here is one of his paintings, just to remind you (or introduce you to) his style:
Wassily Kandinsky, Transverse Line
1923
And here is the recent sculpture, created by Turkish graphic designer, Büyükbas.
Kandinsky by Sinan Büyükbas
“I had the idea of experimenting with Kandinsky’s color and form theory in 3 dimension. I started with thinking each letter as a 3d canvas to play around with color and form, but also together they would form a type experimentation on Kandinsky. I presented each letter as a color and form composition and tried to relate them with the space as they are intended to be perceived in 3d dimension.” Sinan Buyukbas, from Behance Network
Sinan Büyükbas
Büyükbas only recently graduated with his MA Degree in Visual Communication and Design. He is a Motion Designer and 3D Artist, specializing in the emotional perception of computer generated audio and visuals.
Sinan Büyükbas
See more great photos and close-ups on the Behance Network: http://www.behance.net/gallery/KANDINSKY-TYPE/4039379
pouring paint
The world is flocking to London for the Summer Olympics, and I wonder how many will wander away from the athletes to discover art? Those who find the Shizaru Gallery in Mayfair will find the work of Holton Rower.
Holton Rower, Pour
Pouring container after container of paint, Rower creates bold and wild masses of color.
Holton Rower, Pour
Several hundred cups of acrylic paint are lined up and waiting before each “pour” begins. The paints are poured one by one over specially constructed platforms. Each pour consists of up to 50 gallons of paint.
Holton Rower, Pour
The paints used vary in texture, creating different rates of flow and dry. Some are infused with reflective elements. Cost for these immense paintings can range from $20,000 to $55,000.
See more on Rower’s website: http://holtonrower.com/
golden rain
Finding the right typography for a graphic design project can take me hours. In looking for something functional, I often get sidetracked by creative and fun ways that designers re-create alphabetic design.
“Abusive Pencil” font by Scotticus
Today’s fun find is a sculpture based on the art of Wassily Kandinsky. Here is one of his paintings, just to remind you (or introduce you to) his style:
Wassily Kandinsky, Transverse Line
1923
And here is the recent sculpture, created by Turkish graphic designer, Büyükbas.
Kandinsky by Sinan Büyükbas
“I had the idea of experimenting with Kandinsky’s color and form theory in 3 dimension. I started with thinking each letter as a 3d canvas to play around with color and form, but also together they would form a type experimentation on Kandinsky. I presented each letter as a color and form composition and tried to relate them with the space as they are intended to be perceived in 3d dimension.” Sinan Buyukbas, from Behance Network
Sinan Büyükbas
Büyükbas only recently graduated with his MA Degree in Visual Communication and Design. He is a Motion Designer and 3D Artist, specializing in the emotional perception of computer generated audio and visuals.
Sinan Büyükbas
See more great photos and close-ups on the Behance Network: http://www.behance.net/gallery/KANDINSKY-TYPE/4039379
staircases of vibrant color
The world is flocking to London for the Summer Olympics, and I wonder how many will wander away from the athletes to discover art? Those who find the Shizaru Gallery in Mayfair will find the work of Holton Rower.
Holton Rower, Pour
Pouring container after container of paint, Rower creates bold and wild masses of color.
Holton Rower, Pour
Several hundred cups of acrylic paint are lined up and waiting before each “pour” begins. The paints are poured one by one over specially constructed platforms. Each pour consists of up to 50 gallons of paint.
Holton Rower, Pour
The paints used vary in texture, creating different rates of flow and dry. Some are infused with reflective elements. Cost for these immense paintings can range from $20,000 to $55,000.
See more on Rower’s website: http://holtonrower.com/
finally something new
I know, I seem to have dropped off the planet. My computer work has gotten quite busy, and the gardening season has been here for a while now. Instead of my cozy winter mornings searching out new art online, I have been making over my perennial beds, digging grass with long white roots, and persistently fighting bindweed vines. Beautiful gardens are indeed a form of art.
My own art is coming along, with a nice boost from my blacksmith friend Will Slagel. He stopped over yesterday to bring more iron stands for the mandalas.
Japanese Crane by Linda Oeffling, Iron Stand by Will Slagel
Sun Kaleidoscope Mandala by Linda Oeffling, Iron Stand by Will Slagel
Nest Mandala by Linda Oeffling, Iron stand by Will Slagel
Lily of the Valley by Linda Oeffling
Lily of the Valley is my current favorite, despite the fact that I have to use a purchased stand, and not a custom design by Will. I made this piece with several layers, and so it is too thick to fit in the other stands.
Now my current focus must be getting these out into the world, specifically by finding galleries that would be a perfect fit for my work.
world’s largest alpona
What’s an Alpona, you ask?
World’s largest alpona,painted in Manik Mia Avenue on 14 April 2012
Bangladesh
An Alpona is a common Indian folk art form, made of patterns meant to adorn an area for celebration. Five of Bangladesh’s leading senior artists led 220 young artisans and thousands of citizens to create this form by hand, covering the full 1-kilometer stretch of Manik Mia Avenue in joyful celebration of the Bangla New Year.
Alpona, photo from www.psfk.com
The basic Alpona is made up of shapes in a symmetric design. Occasional breaks in the symmetry offer an element of surprise, making each design unique.
Although the world’s largest Alpona was created with many colors of paint, the traditional Alpona is usually white. A paste is created with finely ground white rice and cold water, then usually the artist uses a rag dipped in the paste to create the design.
I found a nice blog post detailing more information about this interesting art form: http://omhome.blogspot.com/2008/11/about-alpona.html
metal sculpture in door county
I know, I seem to have dropped off the planet. My computer work has gotten quite busy, and the gardening season has been here for a while now. Instead of my cozy winter mornings searching out new art online, I have been making over my perennial beds, digging grass with long white roots, and persistently fighting bindweed vines. Beautiful gardens are indeed a form of art.
My own art is coming along, with a nice boost from my blacksmith friend Will Slagel. He stopped over yesterday to bring more iron stands for the mandalas.
Japanese Crane by Linda Oeffling, Iron Stand by Will Slagel
Sun Kaleidoscope Mandala by Linda Oeffling, Iron Stand by Will Slagel
Nest Mandala by Linda Oeffling, Iron stand by Will Slagel
Lily of the Valley by Linda Oeffling
Lily of the Valley is my current favorite, despite the fact that I have to use a purchased stand, and not a custom design by Will. I made this piece with several layers, and so it is too thick to fit in the other stands.
Now my current focus must be getting these out into the world, specifically by finding galleries that would be a perfect fit for my work.
more on the grand palais
What’s an Alpona, you ask?
World’s largest alpona,painted in Manik Mia Avenue on 14 April 2012
Bangladesh
An Alpona is a common Indian folk art form, made of patterns meant to adorn an area for celebration. Five of Bangladesh’s leading senior artists led 220 young artisans and thousands of citizens to create this form by hand, covering the full 1-kilometer stretch of Manik Mia Avenue in joyful celebration of the Bangla New Year.
Alpona, photo from www.psfk.com
The basic Alpona is made up of shapes in a symmetric design. Occasional breaks in the symmetry offer an element of surprise, making each design unique.
Although the world’s largest Alpona was created with many colors of paint, the traditional Alpona is usually white. A paste is created with finely ground white rice and cold water, then usually the artist uses a rag dipped in the paste to create the design.
I found a nice blog post detailing more information about this interesting art form: http://omhome.blogspot.com/2008/11/about-alpona.html
time again to fill the space
The Nave, Grand Palais, Paris
‘Excentrique(s)’, Daniel Buren, 2012, in situ at the Grand Palais.
Photography: Didier Plowy, courtesy: Daniel Buren, ADAGP, Paris
Buren’s work “in situ” is created on the site, and is one of the hallmarks of his work. He first began working onsite as a struggling artist, because he could not afford a studio.
‘Excentrique(s)’, Daniel Buren
Photograph: Francois Mori/AP
“Parisian daylight has a very special quality—sometimes soft, sometimes hard—and when you’re under this amazing roof, there’s nothing obstructing it from flooding in. All the time I was thinking of ways of sculpting light and air.” -Daniel Buren, from the Wall Street Journal
‘Excentrique(s)’, Daniel Buren
Photograph: Patrick Aventurier/Getty Images
Part of Buren’s inspiration resulted from a drawing of five concentric circles that he saw while leafing through a book of Arabian mathematical drawings from the 10th century. He saw that the circles covered a greater amount of space than any other geometric form.
Enjoy a slideshow of images at The Guardian, and visit Daniel Buren’s site to view more of his work: www.danielburen.com
a little break
I am disappointed that I broke my streak of consistent blog posting 4-5 days per week. However, it was for a very good reason. I had a relative from the family tree track down our branch of the family, and she came from Buenos Aires to visit. She brought a huge poster of our family tree, with pictures of my grandparents, their brothers and sisters, and the descending relatives. It was truly amazing. We then skyped with another relative in Slovenia, where our history as we know it begins, and I was able to introduce the two of them, making another new connection in the family. I can’t imagine traveling so far to stay with an unknown family, but we had an amazing week together and made a lasting connection.
Family picture from (what was then) Yugoslavia
We found out so many interesting things about our family history. Our visitor is a neurologist, with an additional degree in psychiatry. We found out about a cousin who was involved in diamond mining in Africa, was a millionaire, then mysteriously lost everything and came back to Slovenia with nothing. We have cousins who migrated to England and France. And we heard many sad stories about the war, and the bad times they endured in Slovenia.
“Art and culture hold a special place in Slovenian history, as they helped the Slovenes to compensate in many ways for the lack of national political and government institutions in the past.” from Slovenia.si
Pomlad (Spring), Ivan Grohar
According to the website, Slovenia.si, Slovenian painting reached its qualitative peak with works of Impressionism, displayed at an acclaimed exhibition in Vienna in 1904.
St Michael church, on the outskirt of Ljubljana, Jože Plečnik
Photo by Karmen Smolnikar @ Flickr
Ljubljana, Market, 1940–1942, Jože Plečnik
Foto: Damjan Prelovšek
Slovenia is also proud to claim architect Jože Plečnik, whose influence is seen in the shaping of Vienna, Prague and Ljubliana. He was considered a visionary and a reformer, using new building materials and acting as a pioneer in urban planning. His style was unique in that it was highly original and experimental, yet simultaneously incorporated historical dimension and established traditions.
Meeting family, and hearing about the history of my own family in particular, gives me a feeling I can hardly describe. I feel very small, just a tiny part of this long time line. In these days of disconnected families, it is truly a treasure to have this knowledge and have history come alive.
ah, what a view
The Nave, Grand Palais, Paris‘Excentrique(s)’, Daniel Buren, 2012, in situ at the Grand Palais.
Photography: Didier Plowy, courtesy: Daniel Buren, ADAGP, Paris
Buren’s work “in situ” is created on the site, and is one of the hallmarks of his work. He first began working onsite as a struggling artist, because he could not afford a studio.
‘Excentrique(s)’, Daniel Buren
Photograph: Francois Mori/AP
“Parisian daylight has a very special quality—sometimes soft, sometimes hard—and when you’re under this amazing roof, there’s nothing obstructing it from flooding in. All the time I was thinking of ways of sculpting light and air.” -Daniel Buren, from the Wall Street Journal
‘Excentrique(s)’, Daniel Buren
Photograph: Patrick Aventurier/Getty Images
Part of Buren’s inspiration resulted from a drawing of five concentric circles that he saw while leafing through a book of Arabian mathematical drawings from the 10th century. He saw that the circles covered a greater amount of space than any other geometric form.
Enjoy a slideshow of images at The Guardian, and visit Daniel Buren’s site to view more of his work: www.danielburen.com
the ability to fill the space
I am disappointed that I broke my streak of consistent blog posting 4-5 days per week. However, it was for a very good reason. I had a relative from the family tree track down our branch of the family, and she came from Buenos Aires to visit. She brought a huge poster of our family tree, with pictures of my grandparents, their brothers and sisters, and the descending relatives. It was truly amazing. We then skyped with another relative in Slovenia, where our history as we know it begins, and I was able to introduce the two of them, making another new connection in the family. I can’t imagine traveling so far to stay with an unknown family, but we had an amazing week together and made a lasting connection.
Family picture from (what was then) Yugoslavia
We found out so many interesting things about our family history. Our visitor is a neurologist, with an additional degree in psychiatry. We found out about a cousin who was involved in diamond mining in Africa, was a millionaire, then mysteriously lost everything and came back to Slovenia with nothing. We have cousins who migrated to England and France. And we heard many sad stories about the war, and the bad times they endured in Slovenia.
“Art and culture hold a special place in Slovenian history, as they helped the Slovenes to compensate in many ways for the lack of national political and government institutions in the past.” from Slovenia.si
Pomlad (Spring), Ivan Grohar
According to the website, Slovenia.si, Slovenian painting reached its qualitative peak with works of Impressionism, displayed at an acclaimed exhibition in Vienna in 1904.
St Michael church, on the outskirt of Ljubljana, Jože Plečnik
Photo by Karmen Smolnikar @ Flickr
Ljubljana, Market, 1940–1942, Jože Plečnik
Foto: Damjan Prelovšek
Slovenia is also proud to claim architect Jože Plečnik, whose influence is seen in the shaping of Vienna, Prague and Ljubliana. He was considered a visionary and a reformer, using new building materials and acting as a pioneer in urban planning. His style was unique in that it was highly original and experimental, yet simultaneously incorporated historical dimension and established traditions.
Meeting family, and hearing about the history of my own family in particular, gives me a feeling I can hardly describe. I feel very small, just a tiny part of this long time line. In these days of disconnected families, it is truly a treasure to have this knowledge and have history come alive.
a strange mix, but i like it
It is an odd mix of favorite things I have – being outside, in a kayak, in the woods, on a beach, and being on the computer, staring at a screen. I guess I am in good company with Sandra Dieckmann, whose artwork is reflective of my own passions.
Japanese Crane, Sandra Dieckmann
Dieckmann is an artist based in London, working as a freelance illustrator. She explores a love for animals through her talent for illustration.
Book illustration commissioned by Paper Darts Publishing, Sandra Dieckmann
I guess she is pulled in different directions as well. She writes in her blog that she is sad to leave her position with the RSPCA (leading UK animal welfare charity) so that she can pursue her freelance work.
Sweet Dreams Ursus Arctus, Sandra Dieckmann
The Ursus image above was published in Ammo Magazine, Issue 6. She’s a busy lady on the web. See her various sites: on Etsy, website, and blog.
a new year of sofa
The fabulous SOFA Show (Sculptural Objects and Functional Art) began its 2012 season on April 20 in New York.
From Fragment to Whole: Elongated Ovoid, Jeannet Iskandar
Iskandar returns again this year with her blown glass sculptures. She builds her pieces in 3-D patterns, using repetition to build the form.
Between Fragment and Whole, Ellipse I, Jeannet Iskandar
Each segment is blown from molten glass to achieve the shapes, which are then cut and fused together. The simplicity of the overall form catches the attention, but the complexity of the structure up close is quite intricate.
Jeannet Iskandar at the Heller Gallery
Jeannet Iskandar is based in Denmark and has shown her work in galleries in the U.S. and Europe. See more of her work at the Heller Gallery.
a new geology
It is an odd mix of favorite things I have – being outside, in a kayak, in the woods, on a beach, and being on the computer, staring at a screen. I guess I am in good company with Sandra Dieckmann, whose artwork is reflective of my own passions.
Japanese Crane, Sandra Dieckmann
Dieckmann is an artist based in London, working as a freelance illustrator. She explores a love for animals through her talent for illustration.
Book illustration commissioned by Paper Darts Publishing, Sandra Dieckmann
I guess she is pulled in different directions as well. She writes in her blog that she is sad to leave her position with the RSPCA (leading UK animal welfare charity) so that she can pursue her freelance work.
Sweet Dreams Ursus Arctus, Sandra Dieckmann
The Ursus image above was published in Ammo Magazine, Issue 6. She’s a busy lady on the web. See her various sites: on Etsy, website, and blog.
thinking of the earth
The fabulous SOFA Show (Sculptural Objects and Functional Art) began its 2012 season on April 20 in New York.
From Fragment to Whole: Elongated Ovoid, Jeannet Iskandar
Iskandar returns again this year with her blown glass sculptures. She builds her pieces in 3-D patterns, using repetition to build the form.
Between Fragment and Whole, Ellipse I, Jeannet Iskandar
Each segment is blown from molten glass to achieve the shapes, which are then cut and fused together. The simplicity of the overall form catches the attention, but the complexity of the structure up close is quite intricate.
Jeannet Iskandar at the Heller Gallery
Jeannet Iskandar is based in Denmark and has shown her work in galleries in the U.S. and Europe. See more of her work at the Heller Gallery.
it kinda creeps me out
Maybe its just a thing I have with dead insects. Despite my prejudices, I can truly appreciate the delicate and fine work that goes into Ten Donkelaar’s artwork.
“Goudraffeltje”, Anne Ten Donkelaar
Dutch artist Anne Ten Donkelaar collects broken butterflies and repairs them with fine care and skill. The broken wings above are fixed with gold leaf to give them new, luminous edges.
“Zwart vlek vlinder”, Anne Ten Donkelaar
Look closely. Not a fuzzy photo, but two embroidered wings on top.
“Landkaart”, Anne Ten Donkelaar
My personal favorite, the moth whose wings are completed with pieces of maps. Some of the maps used are the ones of the country where the moth originated.
See her website for more of her work. She also creates flower collage pieces and other intricate threadwork art. http://anneten.nl/
Also visit her new website, with tiny embroidered treasures: http://miauski.com/ (via http://bloesem.blogs.com)
art in your pocket
Krista Charles spends about two hours per artistic creation, painstakingly drawing inside a matchbox cover.
Our Specialties Are Fourfold, Krista Charles
Charles finds the physical location of the business on the matchbook, then searches Google Maps. Inside the matchbook, she makes a pencil sketch of whatever is shown at the location.
McCarvers Old Town, Tacoma, Washington, Krista Charles
She describes her work as a unique view into the previous business, the dreams of its owner, and how places and histories change over time.
It Pays to Look Well, Krista Charles
The artist has a website: http://xa.pcmxa.com/index.html and a shop on Etsy: http://www.etsy.com/shop/xacharles?page=1 (via Booooooom)
reflections and mist
Maybe its just a thing I have with dead insects. Despite my prejudices, I can truly appreciate the delicate and fine work that goes into Ten Donkelaar’s artwork.
“Goudraffeltje”, Anne Ten Donkelaar
Dutch artist Anne Ten Donkelaar collects broken butterflies and repairs them with fine care and skill. The broken wings above are fixed with gold leaf to give them new, luminous edges.
“Zwart vlek vlinder”, Anne Ten Donkelaar
Look closely. Not a fuzzy photo, but two embroidered wings on top.
“Landkaart”, Anne Ten Donkelaar
My personal favorite, the moth whose wings are completed with pieces of maps. Some of the maps used are the ones of the country where the moth originated.
See her website for more of her work. She also creates flower collage pieces and other intricate threadwork art. http://anneten.nl/
Also visit her new website, with tiny embroidered treasures: http://miauski.com/ (via http://bloesem.blogs.com)
building blocks of jewelry
Krista Charles spends about two hours per artistic creation, painstakingly drawing inside a matchbox cover.
Our Specialties Are Fourfold, Krista Charles
Charles finds the physical location of the business on the matchbook, then searches Google Maps. Inside the matchbook, she makes a pencil sketch of whatever is shown at the location.
McCarvers Old Town, Tacoma, Washington, Krista Charles
She describes her work as a unique view into the previous business, the dreams of its owner, and how places and histories change over time.
It Pays to Look Well, Krista Charles
The artist has a website: http://xa.pcmxa.com/index.html and a shop on Etsy: http://www.etsy.com/shop/xacharles?page=1 (via Booooooom)
floating garden
I know, I seem to have dropped off the planet. My computer work has gotten quite busy, and the gardening season has been here for a while now. Instead of my cozy winter mornings searching out new art online, I have been making over my perennial beds, digging grass with long white roots, and persistently fighting bindweed vines. Beautiful gardens are indeed a form of art.
My own art is coming along, with a nice boost from my blacksmith friend Will Slagel. He stopped over yesterday to bring more iron stands for the mandalas.
Japanese Crane by Linda Oeffling, Iron Stand by Will Slagel
Sun Kaleidoscope Mandala by Linda Oeffling, Iron Stand by Will Slagel
Nest Mandala by Linda Oeffling, Iron stand by Will Slagel
Lily of the Valley by Linda Oeffling
Lily of the Valley is my current favorite, despite the fact that I have to use a purchased stand, and not a custom design by Will. I made this piece with several layers, and so it is too thick to fit in the other stands.
Now my current focus must be getting these out into the world, specifically by finding galleries that would be a perfect fit for my work.
natural patterns
Krista Charles spends about two hours per artistic creation, painstakingly drawing inside a matchbox cover.
Our Specialties Are Fourfold, Krista Charles
Charles finds the physical location of the business on the matchbook, then searches Google Maps. Inside the matchbook, she makes a pencil sketch of whatever is shown at the location.
McCarvers Old Town, Tacoma, Washington, Krista Charles
She describes her work as a unique view into the previous business, the dreams of its owner, and how places and histories change over time.
It Pays to Look Well, Krista Charles
The artist has a website: http://xa.pcmxa.com/index.html and a shop on Etsy: http://www.etsy.com/shop/xacharles?page=1 (via Booooooom)
odd, very odd
In searching the web every day for interesting pieces of art, I come across some very odd things. I usually post what I think is pleasing to me, things I personally think are beautiful, or thought provoking. Funny and odd come into play as well, and today’s artist cracks me up.
Seat Assignment: Lavatory Self-Portraits in the Flemish Style,
Nina Katchadourian
Katchadourian was in the lavatory on a flight when she spontaneously put a tissue paper toilet seat cover on her head and took a picture with her cell phone. It reminder her of 15th-century Flemish art. The black background was created by hanging her black scarf on the wall.
Here is a little reference for you, some old Flemish masters:
She subsequently took a long flight from San Francisco to Aukland, and made several more trips to the lavatory, cell phone in hand, to compile a collection of her Lavatory Self-Portraits.
Seat Assignment: Lavatory Self-Portraits in the Flemish Style,
Nina Katchadourian
I love the expressions on her face. See more of this series on her website: www.ninakatchadourian.com/photography/sa-flemish.php
Katchadourian works in a wide variety of media, including sculpture, video and sound. Her work has been exhibited in the U.S., Europe, Japan, and New Zealand.
Her website is interesting – and there is a lot of stuff there to peruse. One of my favorites is the Mended Spiderweb Series.
Mended Spiderweb #19 (Laundry Line)
Nina Katchadourian
She actually used red sewing thread to mend broken spiderwebs, held in place by the sticky spider web itself. The morning after her first patch job, she discovered a pile of thread laying on the ground. Apparently the spider repaired the web and discarded the unwanted man-made materials.
I am left speechless at the process of creativity, and how she views & interacts with the world around her.
finding paintings
I’m so late with my blog posting today. Sometimes I just can’t find the right thing to feature. I came across these paintings today from Singapore artist Prabhakara Jimmy Quek, and they caught my fancy.
Mountain, Beach and Sea, Prabhakara Jimmy Quek
I like the gradations of color and abstract look to this. It also reminds me of some of the ripped paper collage pieces I have seen lately.
Dream of Wineglass Bay, Prabhakara Jimmy Quek
Quek has participated in group art exhibitions around the world, including Europe and the U.S. He lives and works in Singapore.
Celebrations 2, Prabhakara Jimmy Quek
Quek began as a student of the Nanyang Academy of Fine Art and La Salle of Singapore. At the end of his first year, he was promoted to third year status. His career began with his own design company, but moved into full time painting.
He uses the Sanskrit name “Prabhakara” to sign his work, which means “Store of Light.” See his work online: http://pabha.com/.
bursting from the landscape
I take a lot of disappointing pictures when I am out hiking or kayaking. Things that just amaze me by their form or delicacy don’t translate the way that I SEE them in my eyes. So many pictures come out flat and mediocre, nothing special.
Michael McGillis’ sculptures have a pop of color that forcefully pulls your eye to look and see.
Waterborne, Michael McGillis
It is exaggerated by his use of man made materials, but that’s what I SEE as I float down the stream – the beauty of how a random pattern of twigs traces over the rocks, the way that one piece curves and bends…
Infiltration, Michael McGillis
Neon colors illuminate the cracks, highlighting the deliberate and precise laying of stone, drawing your eye up around the beautiful old door and climbing higher still.
Wake, Michael McGillis
Although I have my typical rose-colored-glasses perspective, drawing your eye to the beauty is not really his goal. In an artist’s statement, he speaks about portraying the impact of human presence upon the environment, and our shifting interpretations of what is natural. The pretty neon colors in Infiltration are actually those ubiquitous plastic bags that float through the air, finding their way into pristine environments and polluting the earth.
See more of his outdoor installations, as well as his studio work on his website: http://michaelmcgillis.com/
(spotted on studiogblog)
the power of growth
The snakes photographed by Guido Mocafico are all over the blogosphere this week. (butdoesitfloat, colossal) It is unlucky to feature scary subjects on Friday the 13th?
Serpens Series, Guido Mocafico
The photos are breathtaking, although I am partial to snakes anyway. It is Mocafico’s eye for patterns in nature that pulls my eye and holds my attention.
Roses Series, Guido Mocafico
You know and recognize his subjects, but his arresting work takes you past the reality and into the mesmerizing patterns.
Medusa Series, Guido Mocafico
Mocafico lives in Paris, and specializes in still life photography. He works for several international magazines and has undertaken many advertising campaigns for renowned designers such as Gucci, Yves Saint Laurent, and Hermës. He has several books published (see Amazon) as well. See his website for more exquisite composition and detailed still life photography: www.guidomocafico.com
font fun
My friends and family tease me about my obsession with fonts. I have been known to shout out “Copperplate” or “Papyrus” while passing billboards along the highway. Fonts and typefaces are a major part of a graphic designer’s life, trying to make things readable, or unique, or expressive. There are a million fonts out there, and I can spend days scrolling along looking for the perfect one for a project. The font I came across today on Design Boom is worth posting about.
Sunbeam Font by Rus Khasanov
So maybe it’s not what you are used to – it isn’t clean and crisp. It’s not really consistent in its spacing and form. But how he made it is so interesting!
Sunbeam Font by Rus Khasanov
Khasanov is a Russian graphic designer, and he created the font with sunlight. He dabbed gel onto a piece of glass and drew the letters with a clean brush. Bringing that piece to the sunlight, the light was refracted into colors, similar to how light is dispersed in a rainbow.
Sunbeam Font by Rus Khasanov
Visit Khasanov’s website to see the font in a moving image, and also some other very cool designs, like Liquid Calligraphy and Pixel Distortion: http://ruskhasanov.com Visit Design Boom as well to see his work, which is where I spotted it in the first place.
fine lines
Artist Anne Lindberg describes her work as “subtle, rhythmic, abstract and immersive”. (from interview with Les Femmes Folles) I think her words describe her work beautifully.
andante green , 2012
Egyptian cotton thread, staples
Anne Lindberg
Her shimmering curtains of vibrant colored thread seems to float through space, rainbows of light spectrum.
vapor, 2009
rayon thread and pins
Anne Lindberg
After earning her B.F.A., Lindberg worked as a curatorial assistant at the Smithsonian, dealing with textiles. She continued on, studying fiber arts at the Cranbrook Academy of Art. Her artwork gravitated to drawing, but her recent works return to her textile roots.
Close-up view of andante green, Anne Lindberg
In a close-up view, the staples and threads become visible, and you can see the detailed structure of her creations. Visit her website to see more of her work, including detailed drawings and mixed media pieces that contain the same intricate, detailed precision as her installations: www.annelindberg.com
fashion displays
The Nave, Grand Palais, Paris‘Excentrique(s)’, Daniel Buren, 2012, in situ at the Grand Palais.
Photography: Didier Plowy, courtesy: Daniel Buren, ADAGP, Paris
Buren’s work “in situ” is created on the site, and is one of the hallmarks of his work. He first began working onsite as a struggling artist, because he could not afford a studio.
‘Excentrique(s)’, Daniel Buren
Photograph: Francois Mori/AP
“Parisian daylight has a very special quality—sometimes soft, sometimes hard—and when you’re under this amazing roof, there’s nothing obstructing it from flooding in. All the time I was thinking of ways of sculpting light and air.” -Daniel Buren, from the Wall Street Journal
‘Excentrique(s)’, Daniel Buren
Photograph: Patrick Aventurier/Getty Images
Part of Buren’s inspiration resulted from a drawing of five concentric circles that he saw while leafing through a book of Arabian mathematical drawings from the 10th century. He saw that the circles covered a greater amount of space than any other geometric form.
Enjoy a slideshow of images at The Guardian, and visit Daniel Buren’s site to view more of his work: www.danielburen.com
tearing into a new dimension
Artist Scott Hazard works with photography to turn it into a sculptural piece of art, drawing the viewer in to explore. His work is being featured in the New Works Exhibition at Artspace, a visual arts center in Raleigh, North Carolina, where he is an artist in residence.
Scott Hazard
Hazard creates new physical spaces by layering images. He considers his work more sculpture than photography.
Scott Hazard
He photographs dozens and dozens of images, then reviews them to select a few that have room for a space to explore. He will also search for elements that can be highlighted, as in the photo above. Part of his work involves sketching different sculptural voids, experimenting with what looks best.
Scott Hazard
Read an interview with the artist online at: www.themorningnews.org See more of Hazard’s work on his website: http://scotthazard.net
its all about form
My friends and family tease me about my obsession with fonts. I have been known to shout out “Copperplate” or “Papyrus” while passing billboards along the highway. Fonts and typefaces are a major part of a graphic designer’s life, trying to make things readable, or unique, or expressive. There are a million fonts out there, and I can spend days scrolling along looking for the perfect one for a project. The font I came across today on Design Boom is worth posting about.
Sunbeam Font by Rus Khasanov
So maybe it’s not what you are used to – it isn’t clean and crisp. It’s not really consistent in its spacing and form. But how he made it is so interesting!
Sunbeam Font by Rus Khasanov
Khasanov is a Russian graphic designer, and he created the font with sunlight. He dabbed gel onto a piece of glass and drew the letters with a clean brush. Bringing that piece to the sunlight, the light was refracted into colors, similar to how light is dispersed in a rainbow.
Sunbeam Font by Rus Khasanov
Visit Khasanov’s website to see the font in a moving image, and also some other very cool designs, like Liquid Calligraphy and Pixel Distortion: http://ruskhasanov.com Visit Design Boom as well to see his work, which is where I spotted it in the first place.
time for tools
Krista Charles spends about two hours per artistic creation, painstakingly drawing inside a matchbox cover.
Our Specialties Are Fourfold, Krista Charles
Charles finds the physical location of the business on the matchbook, then searches Google Maps. Inside the matchbook, she makes a pencil sketch of whatever is shown at the location.
McCarvers Old Town, Tacoma, Washington, Krista Charles
She describes her work as a unique view into the previous business, the dreams of its owner, and how places and histories change over time.
It Pays to Look Well, Krista Charles
The artist has a website: http://xa.pcmxa.com/index.html and a shop on Etsy: http://www.etsy.com/shop/xacharles?page=1 (via Booooooom)
pop-ups for grown ups
Pop-up books are most commonly thought of as books for children, although I think most adults must enjoy them as much. Andreas Johansson has a new exhibit that puts a new spin on the pop-up.
Three-Dimensional set piece landscape, Paper, Andreas Johansson
Swedish artist Johansson’s first solo exhibit, From Where the Sun Now Stands, is at the Galleri Flach in Stockholm. The landscape sets he creates are set up in pop-up books with six pages each, showing different perspectives of a vacant lot.
Three-Dimensional set piece landscape, Paper, Andreas Johansson
The artist spent a lot of time skateboarding in his youth, drawn to desolate industrial lots where boarders have space to ride. He cuts photographs to build these paper environments, giving us a sense of escape and exploration.
Three-Dimensional set piece landscape detail, Paper, Andreas Johansson
“For me, deserted places have a great symbolic value. They represent society’s backside, but also freedom beyond control and regulations. As a child, it was the funniest playground imaginable.” -Andreas Johansson, from the Volta Show in New York
look around on the ride
There is a lot of art to be seen from the New York subway, and there is an Apple App to help you find it.
4 Seasons Seasoned, Robert Kushner
found on the IRT East SIde Line, 77th St.
Photo by Robbie Rosenfeld
Sandra Bloodworth, director of the MTA Arts for Transit and Urban Design, believes that New York’s transit system is the largest museum in the world. The new app can guide you to find it all, and you can also view it online on the Subway Art Guide.
Be Good or Be Gone, Duke Riley
on the IND Rockaway Line, Beach 98th Street
photo by Robbie Rosenfeld
The Subway Art Guide can be found on a site dedicated to the history of the New York City Subway system. The site, nycsubway.org, has many volunteers that help to create the wealth of information to be found there. They are not affiliated with the Metropolitan Transportation Authority, and began in 1995 as a photo essay site.
Fast Track & Speed Wheels, Dan Sinclair
on the IRT Times Square-Grand Central Shuttle
Photo by Robbie Rosenfeld
Click on the links in the paragraphs above and check it out. There is an abundance of glass art, which I can really appreciate, but a lot of other things to see as well. It is a really interesting site to visit, giving you bits of history, maps, and miscellaneous subway facts.
enamored with enamel
pulling from other cultures
I’m so late with my blog posting today. Sometimes I just can’t find the right thing to feature. I came across these paintings today from Singapore artist Prabhakara Jimmy Quek, and they caught my fancy.
Mountain, Beach and Sea, Prabhakara Jimmy Quek
I like the gradations of color and abstract look to this. It also reminds me of some of the ripped paper collage pieces I have seen lately.
Dream of Wineglass Bay, Prabhakara Jimmy Quek
Quek has participated in group art exhibitions around the world, including Europe and the U.S. He lives and works in Singapore.
Celebrations 2, Prabhakara Jimmy Quek
Quek began as a student of the Nanyang Academy of Fine Art and La Salle of Singapore. At the end of his first year, he was promoted to third year status. His career began with his own design company, but moved into full time painting.
He uses the Sanskrit name “Prabhakara” to sign his work, which means “Store of Light.” See his work online: http://pabha.com/.
transformation
Fly Freeman is not what I expected. When I first saw her sculptures, some of them quite large, and carved from wood or stone, I assumed Fly was a man. I looked at her website and found wonderful images, but not a lot about Fry herself. Then I found an interview on You Tube, and was impressed by her views on transforming and caring for a community by beautifying it.
Grasses, Fly Freeman
Freeman trained at the Edinburgh College of Art. Her sculptures can be seen in Scotland, England, France, and in private collections.
A Public Commission by Fly Freeman
Not only do I love her sculptures, she also works in collaboration with a glass artist. Francis Muscat works with Fly, and joins in her passion for public art that can transform the feeling of a place.
Coloured-glass-in-river, Francis Muscat and Fly Freeman
With their shared passions for art, and shared desire to impact the community in a positive way, the two artists bring something special. See more of their work: http://www.flyfreeman.com/home.html and http://muscatfreeman.com/muscatfreeman/
peering into tomorrow
Krista Charles spends about two hours per artistic creation, painstakingly drawing inside a matchbox cover.
Our Specialties Are Fourfold, Krista Charles
Charles finds the physical location of the business on the matchbook, then searches Google Maps. Inside the matchbook, she makes a pencil sketch of whatever is shown at the location.
McCarvers Old Town, Tacoma, Washington, Krista Charles
She describes her work as a unique view into the previous business, the dreams of its owner, and how places and histories change over time.
It Pays to Look Well, Krista Charles
The artist has a website: http://xa.pcmxa.com/index.html and a shop on Etsy: http://www.etsy.com/shop/xacharles?page=1 (via Booooooom)
spectacular web over King’s Cross
King’s Cross is a London railway station built when Queen Victoria was in the early years of reigning her country. It is currently in the finishing stages of an eight year, almost $800 million dollar restoration. Architectural firm John McAslan & Partners has transformed the space, and it is breathtaking.
King’s Cross RenovationThe new station will be complete in time for the 2012 Olympics, providing a super-hub with new infrastructure and improved interchange links with other public transportation.
King’s Cross
The old King’s Cross station has been the setting of several major films, including Harry Potter, The Ladykillers, Mona Lisa, and Friday the 13th.
King’s Cross
Design Boom featured King’s Cross last Friday, and they have some exclusive photos that are lovely – picture this network of line bathed in bright purple, or soft, deep blue. Their photos are copyrighted, so I can’t share them here, but you can click over to Design Boom and see all the photos.
dead drawings come alive
There is a lot of art to be seen from the New York subway, and there is an Apple App to help you find it.
4 Seasons Seasoned, Robert Kushner
found on the IRT East SIde Line, 77th St.
Photo by Robbie Rosenfeld
Sandra Bloodworth, director of the MTA Arts for Transit and Urban Design, believes that New York’s transit system is the largest museum in the world. The new app can guide you to find it all, and you can also view it online on the Subway Art Guide.
Be Good or Be Gone, Duke Riley
on the IND Rockaway Line, Beach 98th Street
photo by Robbie Rosenfeld
The Subway Art Guide can be found on a site dedicated to the history of the New York City Subway system. The site, nycsubway.org, has many volunteers that help to create the wealth of information to be found there. They are not affiliated with the Metropolitan Transportation Authority, and began in 1995 as a photo essay site.
Fast Track & Speed Wheels, Dan Sinclair
on the IRT Times Square-Grand Central Shuttle
Photo by Robbie Rosenfeld
Click on the links in the paragraphs above and check it out. There is an abundance of glass art, which I can really appreciate, but a lot of other things to see as well. It is a really interesting site to visit, giving you bits of history, maps, and miscellaneous subway facts.
and then it’s swept away
layers upon layers
Creating stained glass windows is a meticulous art, but the work of Eric Standley goes over and above the fine detail required for a typical church window.
Either/Or Decreed, Eric Standley
Standley will work out a design on paper and then laser-cut the intricate pieces in a process that can take months. Sometimes his works are as thick as 3″ deep in layers.
Circle 3.1.1 detail from Either/Or Drawings, Eric Standley
The artist works as a design coordinator for Virginia’s School of Visual Arts.
Either/Or Arch for Ipswich Detail, Eric Standley
His background is pretty interesting — from earning a Bachelor of Fine Arts from the Massachusetts College of Art in Boston he went on to study Renaissance oil painting. He then moved into the field of technology-based imaging, employing laser engraving and cutting. It has all come together in a tremendous result. See more at: ericstandley.30art.com
alyson’s installations
One of the features this past weekend in Art Daily announced the collaboration of Buckingham Companies and the Indianapolis Museum of Art in creating for The Alexander, a new hotel in downtown Indianapolis. I researched one of the participating artists, and was happy to find the work of Alyson Shotz.
A Curve in Space and Time, Alyson Shotz
Alyson performs beautiful manipulation of light and reflection in her installations. She is based in Brooklyn, New York, and her works are in the collections of several prestigious museums, including the Guggenheim, the Hirshhorn, and MoMA.
Angle of Incidence, Alyson Shotz
“I don’t think of myself as a site-specific artist,” says Shotz. “I think about my work being able to be molded into the space that’s offered to me. I like the idea of something morphable or modular.” When presented with the triple-height, sun-drenched space, she says, “I wondered what it might look like to see light stopped in time.” – from ArtInfo.com
Mirror Fence, Alyson Shotz
Mirror Fence is one of her earlier works, from 2003, but one of my favorites. I would love to see this piece interacting with my yard – reflecting growing blooms, birds, snow falling, and whatever else passes through.
See more photos of Shotz’ installations on the Derek Eller Gallery site: derekeller.com
watercolor clay
There is a lot of art to be seen from the New York subway, and there is an Apple App to help you find it.
4 Seasons Seasoned, Robert Kushner
found on the IRT East SIde Line, 77th St.
Photo by Robbie Rosenfeld
Sandra Bloodworth, director of the MTA Arts for Transit and Urban Design, believes that New York’s transit system is the largest museum in the world. The new app can guide you to find it all, and you can also view it online on the Subway Art Guide.
Be Good or Be Gone, Duke Riley
on the IND Rockaway Line, Beach 98th Street
photo by Robbie Rosenfeld
The Subway Art Guide can be found on a site dedicated to the history of the New York City Subway system. The site, nycsubway.org, has many volunteers that help to create the wealth of information to be found there. They are not affiliated with the Metropolitan Transportation Authority, and began in 1995 as a photo essay site.
Fast Track & Speed Wheels, Dan Sinclair
on the IRT Times Square-Grand Central Shuttle
Photo by Robbie Rosenfeld
Click on the links in the paragraphs above and check it out. There is an abundance of glass art, which I can really appreciate, but a lot of other things to see as well. It is a really interesting site to visit, giving you bits of history, maps, and miscellaneous subway facts.
get closer to the music
I have to give a shout-out to Colossal for today’s blog post, featuring photographer Bjoern Ewers. His advertising task was to create a campaign for the chamber-ensemble of the Berliner Philharmoniker. The goal of his photography on this project is to show the instruments from the inside, taking the viewer as close as possible to the creation of the music. 
photography by Bjoern Ewers
Ewers works out of Berlin, Germany as an illustrator, photographer and art director.
photography by Bjoern Ewers
His images are creative and powerful, giving you quite an amazing perspective inside classical instruments.
photography by Bjoern Ewers
Ewers is featured on Behance Network, an online showcase for creative work: www.behance.net Also see his website: studio314.de
glowing orbs of light
Have you ever visited Deviant Art? I have been on that site many times, and am always amazed by the talent I find there. If you look on my sidebar to the right and click on Artist: Emily Miller, you can see her work posted there. (One of my absolute favorites).
Today I am featuring Calabarte’s gourd lamps. Gorgeous.
, by Calabarte
Calabarte makes his lamps out of Senegalese gourds. The white surfaces are wood that is carved to a deeper level, allowing brighter light to pass through. The thickness of the gourd generally does not exceed 4mm.
Standing Lamp XV String structure, by Calabarte
I love the shadows cast by his intricate carvings. The gourds are generally 20 – 22 cm. in diameter, and the bases are carved in wood and finished with natural Italian oil.
Standing Lamp XV String structure, Calabarte
The picture above shows the intricacy of the carving in daylight. Calabarte has a website, but it is still in progress. You can see more of his work on his Deviant Art page, which also has a link to his Flickr account.
colorful urchins
Fly Freeman is not what I expected. When I first saw her sculptures, some of them quite large, and carved from wood or stone, I assumed Fly was a man. I looked at her website and found wonderful images, but not a lot about Fry herself. Then I found an interview on You Tube, and was impressed by her views on transforming and caring for a community by beautifying it.
Grasses, Fly Freeman
Freeman trained at the Edinburgh College of Art. Her sculptures can be seen in Scotland, England, France, and in private collections.
A Public Commission by Fly Freeman
Not only do I love her sculptures, she also works in collaboration with a glass artist. Francis Muscat works with Fly, and joins in her passion for public art that can transform the feeling of a place.
Coloured-glass-in-river, Francis Muscat and Fly Freeman
With their shared passions for art, and shared desire to impact the community in a positive way, the two artists bring something special. See more of their work: http://www.flyfreeman.com/home.html and http://muscatfreeman.com/muscatfreeman/
home from st. martin
It wasn’t just a dream, it really was a trip to the islands. (see the last week’s blog entries) My sisters and niece and our husbands took a trip to the Caribbean island of St. Martin last week. It was paradise, from the weather, to the most excellent French food, to the great company and endless laughs.
Baggage Claim at the St. Martin Airport
photo by Linda Oeffling
The explosion of color began right at the airport. While we waited for our luggage I admired the rainbow and the shadows it cast on the walls of the busy baggage claim area.
I was pretty excited to walk into our villa to view the artwork of Antoine Chapon on the walls! It looks even better in person. Click the link to go back to my previous post about Chapon.
Dune Preserve Bar on Anguilla
photo by Linda Oeffling
One of the most intriguing architectural creations was the Dune Preserve Bar, which we visited while on a catamaran sailing trip to the island of Anguilla. The bar was originally created from flotsam and jetsam that found its way onshore. Now there are parts to the building which have been upgraded, but it keeps its quirky atmosphere.
Restaurant in Grand Case
photo by Linda Oeffling
Shame on me for not getting the name of this restaurant in Grand Case. Up a set of stairs, and behind the lush greenery, you can have a luscious French meal. This is just an example of typical scenes along the street. Wall murals decorate the buildings, color and lovely curlicues decorate porches and patios.
Happy Bay
photo by Linda Oeffling
Happy Bay is a little beach tucked away, unreachable by car. You have to hike over a hill to get to this beach. The stone sculptures welcomed us into the bay, and a friendly local set up a little stand and provided fresh grilled fish for lunch.
There is much more to tell, and maybe I’ll revisit this theme another day, but for now I am behind on unpacking. Sigh. I wish I was still in bare feet and a pareo instead of looking at the snow in fuzzy slippers and warm bathrobe…
three sisters
That’s a good theme for a Monday, as I am the middle sister of three, and we recently spent a lot of time together!
Three Sisters Ceramic Art Sculpture
Unfortunately, I don’t have the artist’s name for this piece. I really like it though, so I am featuring it anyway. I found it online at the Jill Underhill Gallery, located in Harbert, Michigan.
Hong Zhang, Three Graces,
charcoal on paper on scroll.
Photo courtesy Whitespace Gallery
Zhang is one of three Chinese-American sisters, two of which paint professionally. The third sister has a non-art profession, but does paint on the side. The artist has utilized pictures of hair since 2004 as a source of inspiration and a symbol. For Chinese women, hair is a physical attribute which is an object of power as well as an expression of personality. See more on her website: hongchunzhang.com
Three Sisters, Diana Shepherd
Diana Shepherd took home the Best in Show award from the Jacksonville Coalition for the Visual Arts Fall Show in 2011 for her bronze sculpture, “Three Sisters”. She is intrigued by the human figure, and the endless variety of human experiences that can be expressed by the slightest manipulation of clay. She conveys such a sense of joyous abandon with this piece! It is a great portrayal of my sisters and I – but I will leave it to your imagination to figure out which one is me…
now is it spring?
So we come to the end of an island-inspired week of blogging. I hope it took you away for at least a little while. I am finishing up the week with some art from the West Indies.
Papa Zaca, Hector Hyppolite
An African-Haitian painter, Hector Hyppolite was a voodoo priest who lived in the early part of the 20th century. He is noted as one of the prominent untrained painters in the culture of Haiti, and the first Haitian painter to actually gain recognition. Note the difference in paint strokes between the bold, stark strokes of the figures and the soft, flowery underbrush. Hyppolite was said to paint with fingers and brushes as well as using chicken feathers. I wonder if he used the feathers on “Papa Zaca”?
Artist J.R. Chery
Chery is a modern-day Haitian painter who has become known internationally for his paintings with bold color and a sense of humor. I love the look on this girl’s face, and her sturdy, strong stride. He is represented in many galleries, and has been featured in Vogue, Time Magazine and many books and publications. See his work at Haitian Paintings.
30 – Untitled, Tito
Tito (Juan Antonio Gomez Gutierrez), was born in Havana, where he attended art school. For many years he worked for the state and created his unique paintings on the side. In 1997 he became an independent artist. He currently lives in Miami, Florida, where he devotes all of his time to painting.
Although his style is a complete departure from the “folk” traditions of the West Indies, I love the saturated colors, which often seem to be a common element in paintings from hot, tropical regions. See his website for more: www.tito-art.com
tropical mosaics
I have tried my hand at glass mosaics, creating several stepping stone designs. They are all just ok to me; I think my talent lies more in glass art that comes alive when in the light. Since I can’t seem to bring my mosaic visions to life in the way that I like, it is a pleasure to find someone who excels at this form. I am delighted to present these island-inspired mosaics, drenched with bright color.
Island in the Sun, Charles McDonell
McDonell first paints the artwork, then lays the glass, carefully selecting pieces with textures and color nuances that work with his vision of what he would like to portray.
Honeymoon Sunset, Charles McDonell
Cutting glass is precise work, and it is not easy to get shapes to fit with such exactness as you see in McDonell’s work.
Tribal Visions, Charles McDonell
I like the primitive quality to his work. It reminds me of Caribbean artwork, similar to pieces I will be featuring in tomorrow’s blog post. McDonell is from Cedar Key, Florida. See more of his work on the website he hosts within Fine Art America: fineartamerica.com
a growing force in international art
Grateful Dead musician Jerry Garcia passed away in 1995, but as Dead-Heads all over the world can testify, his music and legacy lives on. Leaving a legacy of music is one thing, but Garcia also left a few artworks behind.
Flamenco Dancer, Jerry Garcia
Garcia was a student at the San Francisco Art Institute, and though he went on to become famous for his music, he also painted as often as possible. There is a wild and interesting mix in the things he left behind, but undeniably there was talent there.
Mixmaster, Jerry Garcia
In his lifetime, he produced over 2,000 original works. He used quality materials in his work – the best Schmincke watercolors, and Prismacolor pencils, and as a result, most of the work is fully archival.
Volcano, Jerry Garcia
Garcia painted strictly for his own pleasure and amusement. Now, galleries are benefiting with prices as much as $100,000 for a single piece from the deceased artist. See more of his original work at the Weir Gallery online.
dreaming of flotsam and jetsam
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
time for a virtual vacation
It’s almost March. We are still shoveling snow. It’s true, all throughout the winter season I ask for snow, and enjoy it, but it is time for a turning of the seasons. So this week, we are taking a little virtual vacation, where balmy breezes waft softly through ocean-scented air, and the sound of waves on the sand provides the heartbeat to your days…
Rendez-Vous Bay, Antoine Chapon
Chapon is an artist living on the Caribbean island of St. Martin. Born in France, he sailed to the islands in 1981 and settled in the tiny village of Colombier.
Reflection, Antoine Chapon
In December of 2010 Chapon opened his own gallery at the Marina Royale in the town of Marigot. This little island is a bit unusual, in that it is split into a French side, St. Martin, and a Dutch side, Sint Maarten. Marigot is the capitol city on the French side.
Turquoise at Cap Juluca, Antoine Chapon
Here in the Midwest, surrounded by deep green forests, deep blue lakes, and deep brown earth tones, my palette gravitates to these familiar colors. When I go on vacation to some tropical destination, suddenly I want to redecorate, using clean white, turquoise, and the pinks and purples of a sunset sky.
suspended paper jewels
Fly Freeman is not what I expected. When I first saw her sculptures, some of them quite large, and carved from wood or stone, I assumed Fly was a man. I looked at her website and found wonderful images, but not a lot about Fry herself. Then I found an interview on You Tube, and was impressed by her views on transforming and caring for a community by beautifying it.
Grasses, Fly Freeman
Freeman trained at the Edinburgh College of Art. Her sculptures can be seen in Scotland, England, France, and in private collections.
A Public Commission by Fly Freeman
Not only do I love her sculptures, she also works in collaboration with a glass artist. Francis Muscat works with Fly, and joins in her passion for public art that can transform the feeling of a place.
Coloured-glass-in-river, Francis Muscat and Fly Freeman
With their shared passions for art, and shared desire to impact the community in a positive way, the two artists bring something special. See more of their work: http://www.flyfreeman.com/home.html and http://muscatfreeman.com/muscatfreeman/
whirling kaleidescope of color
Hadieh Shafie finds inspiration in the Sufi whirling dervishes, Islamic ascetics who whirl around in a dizzying attempt to get closer to Allah. Google “Whirling Dervish” and select “images” to get a page full of colorful, spinning costumes.
20871 Pages
2012
Hadieh Shafie
Ink/ acrylic and Paper with printed & hand written Farsi Text Esheghe
“Love”
48″ x 48″ x 3.5″
Shafie titles her pieces according to the number of tiny strips of paper that are tightly scrolled and set into the frame. Inside the scrolls are written one word: “Eshghe”, or “Love” in the Farsi language.
21680 Pages Detail
2011
Hadieh Shafie
Ink/ acrylic and Paper with printed & hand written Farsi Text Esheghe
“Love”
48″ x 48″ x 3.5″ / 121.92 x 121.9 x 9 cm
She is very interested in process-oriented work, with repetition and patterns that find their roots in traditional Iranian art. As she performs the methodical, repetitious work, she loses herself in a meditation of memories and thoughts and inspirations.
Some weeks ago, looking at my friend’s pictures from Turkey, we noted that the flowing brushwork Arabic lettering is like an art form in itself. Seeing it here on Hafie’s pieces, I love the way it forms patterns as it scrolls around her wheels of color. She has wonderful, huge images on her website that display the details and colors beautifully: hadiehshafie.com
bring on the rainbow
I was browsing through the artists that are being honored with the The Catlin Art Prize 2012, an annual exhibition that features the most promising art grads in the UK. Julia Vogl caught my eye with her rainbows of color.
£ 1 000 000 | 1 000 opinions ( where would you allocate £ 1 000 000 of public spending?), Julia Vogl
Vogl is an installation artist who works to challenge social issues through public art.
“…I started to understand the role that public art can have in a community. It can make neighbourhoods safer, it can lead to positive engagement with strangers and generally it can beautify an otherwise neglected area.” – Julia Vogl from an interview with Aesthetica Magazine Blog
Colouring the Invisible, Julia Vogl
In “Colouring the Invisible”, Vogl covers 150 windows of an interior atrium at the School of Slavonic and East European Studies. Her artistic aim is to reflect on the languages spoken there.
Preferences Overview, Julia Vogl
Her rainbow bursts of color grab your attention. I like the interactive aspect of “Preferences Overview”, based off the childhood game of hopscotch. Did you know that game has ancient Roman origins?
Color and pattern are essential elements of Vogl’s work. See more on her website: www.juliavogl.com
speaking of cement
Artist Julie Clement creates intricate designs made of dots.
Clement’s Venus and Sun was displayed at the Longmount Museum & Cultural Center in Longmont, CO. Her pointillism follows renowned artists Lichtenstein and Seurat. It brings to mind the artwork of Australian aboriginal artists.
Clement is pictured working on her mural “Venus and Sun” in 2012 at the Longmont Museum and Cultural Center, Photo by Lewis Geyer/Times-Call.
She is described on her website as “vivacious; and her energy, contagious!”, and looking at her colorful, flowing images certainly reflects that energy. Her paintings are composed of hundreds upon thousands of dots, and she describes her process as meditative. She draws inspiration from dreams, books, and life experiences.
Venus and Mercury, 11″ x 14″ Metal
Clement paints with acrylic on canvas, metal and wood. Visit her website: http://clementinedotart.com
concrete concepts in art
A new form of concrete caught my eye the other day, making me think of this materials being used for artistic applications.
Luccon is a new material, a translucent concrete that is made up of concrete blocks with embedded webbed fiber optic cables. The stone appears incongruously massive as well as transparent.
Luccon Concrete StepsThe Luccon website has many examples of how this material is being used around the world in architectural applications.
LucconThe architectural uses are beautiful. I would imagine concrete installation artists might be eying this new material, wheels turning as to how to integrate it into sculptural works.
Luccen stands for “lucent concrete”, and was invented by Austrian Jürgen Frei. He researched this project independently, finding information online and experimenting in his garage. He was the “Category Idea of the Year” winner in the 2009 Austrian contest called “The Start-Up Entrepreneur”.
digging through the text
There have been some “book carving” artists out on the blogs lately. I have thought them interesting, but haven’t featured them. Then I saw the work of Brian Dettmer, and I think he takes it just a bit farther, and I like it.
There’s Nothing to Fear, Brian Dettmer
He speaks of his work as a collaboration between himself and the book. With tweezers and surgical tools he carefully excavates, searching to expose images and ideas, history and memories. Take a closer look at “Fear”, and you will find “secrets”, “dark”, and “inactivity”. There is more to explore here than the graphic sculpture of fear.
The Encyclopedia of Architecture, Brian Dettmer
Dettmer does not rearrange any images or words from where they are found in the book. Things are removed, to reveal, never added in or replaced.
New Books of Knowledge, Brian Dettmer
In many of his sculptures you are hard pressed to determine the materials used, if you didn’t know they were books. They twist and flow, or pieces are geometrically cut to flare out into abstract shapes.
He has exhibited internationally, and has upcoming shows in 2012 throughout the U.S., including California, Georgia, Illinois and Washington D.C. See more information and images on his website: http://briandettmer.com
what is revealed
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
the motion of art
I think kinetic art is amazing – it takes your perception and experience to a whole new level. Studio Glithero has an amazing repertoire of art that is created by action. I’m not sure if it would be classified as kinetic art, but motion is a defining element in many of their works. British designer Tim Simpson and Dutch designer Sarah van Gameren met and studied at the Royal College of Art, then started a studio in London where they create installations that result in products.
Blueware Collection, Studio Glithero
The gorgeous blueware pottery is created by applying dried plants to ceramic surfaces treated with light-sensitive chemicals. The arrangements are exposed to UV light. See a visually stunning video of this process as they dip the vases into the vat of color: www.glithero.com/blueware-vases.
Fire Drawings, Studio Glithero
Fire Drawings are one of the newest works on the Glithero website. The pattern is screen-printed with a flammable paint. As the flame travels along the lines, it leaves a charcoal trace behind.
Fire Drawings, Studio Glithero
Fire Drawings, Studio Glithero
An important part of the Studio Glithero process is to produce films that document the creation of their products. They aim to capture the spirit of the moment in which things are made. Their work is basically science based, as they look to how elements react, the key ingredient being transformation. They want the consumer to experience the moment at which artwork appears from raw materials into something that is complete.
Visit their website to view videos of their many varied installations. Glithero.com View a video interview of the artists and their process: www.detnk.com
Valentine bits of heart art
The Glass Art Society Conference 2014 was held in Chicago this year, so friend and fellow-glass fuser Brandie Dunn and I took the train down to check it out.
Image from the GAS Conference 2014 Program Book
Alas, as the membership fee is a bit steep for me, (also, the society seems to be more oriented to glass blowers rather than fusers) as non-members we were only able to access the public displays at this conference.
Our main goal was to visit the Bullseye Glass booth, as I am planning to use a great deal more of their product in my own work. We had a great visit with the reps at the booth, who were very welcoming and receptive to all questions. I scored a great re-usable Bulleye shopping bag to fill with show literature and give-aways.
Next we met a few more helpful reps from Covington Engineering and HIS Glassworks. We began asking questions about coldworking equipment, but the conversation was cut short as they were leaving for the GAS gallery tour. They were nice enough to encourage us to tag along, and we quickly changed our plans to do just that. What a great decision that turned out to be, as we toured the Ken Saunders Gallery, Echt Gallery, and the Vale Craft Gallery, all located on W. Superior in Chicago.
One of my favorite pieces was by artist Steve Jensen, combining natural wood with resin and glass.
Jensen hails from Seattle, WA, coming from a long tradition of Norwegian fishermen and boat builders. He grew up on his father’s fishing boat. His artwork displays incredible range in mediums including glass, wood carving, and bronze sculpture.
This is a close-up of a piece by Harue Shimomoto that was another favorite of mine:
I once watched Shimomoto unpacking and hanging a piece at a SOFA show in Chicago. The delicate traceries of glass are hung in overlapping sections to create the full display. It was amazing to think that you can actually ship something this delicate.
Although this blog could go on for days on this topic, I’ll just include one more piece today, from Thomas Scoon:
Again, I am drawn to pieces that combine natural materials with glass, in this case, chunks of stone.
“Stone/glass/stone/glass, the two substances layered like some sedimentary strata on the side of a cliff. But, though cold to the touch, Scoon’s assemblages still echo with their igneous source; this is the stuff of magma and the core.” – James Yood, Art Critic
It was quite a memorable evening. We were completely taken in by the art displays, but also tremendously enjoyed the company of the HIS Glassworks and Covington Engineering representatives. Their observations and comments were interesting and informative.
Visit for more information:
HIS Glassworks: http://www.hisglassworks.com/
Covington Engineering: http://www.covington-engineering.com/
Bullseye Glass: http://www.bullseyeglass.com/
Ken Saunders Gallery: http://www.marxsaunders.com/home.html
Echt Gallery: http://www.echtgallery.com
Vale Craft Gallery: http://www.valecraftgallery.com/
favorite things for monday
So we come to the end of an island-inspired week of blogging. I hope it took you away for at least a little while. I am finishing up the week with some art from the West Indies.
Papa Zaca, Hector Hyppolite
An African-Haitian painter, Hector Hyppolite was a voodoo priest who lived in the early part of the 20th century. He is noted as one of the prominent untrained painters in the culture of Haiti, and the first Haitian painter to actually gain recognition. Note the difference in paint strokes between the bold, stark strokes of the figures and the soft, flowery underbrush. Hyppolite was said to paint with fingers and brushes as well as using chicken feathers. I wonder if he used the feathers on “Papa Zaca”?
Artist J.R. Chery
Chery is a modern-day Haitian painter who has become known internationally for his paintings with bold color and a sense of humor. I love the look on this girl’s face, and her sturdy, strong stride. He is represented in many galleries, and has been featured in Vogue, Time Magazine and many books and publications. See his work at Haitian Paintings.
30 – Untitled, Tito
Tito (Juan Antonio Gomez Gutierrez), was born in Havana, where he attended art school. For many years he worked for the state and created his unique paintings on the side. In 1997 he became an independent artist. He currently lives in Miami, Florida, where he devotes all of his time to painting.
Although his style is a complete departure from the “folk” traditions of the West Indies, I love the saturated colors, which often seem to be a common element in paintings from hot, tropical regions. See his website for more: www.tito-art.com
the largest contemporary land art in the world
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
luscious, tangy, fruity color
We have been fusing glass downstairs in the home studio since we bought our Skutt kiln in 2004. It has been a workhorse, but we are dealing with our first repair issue. We programmed it to go one night, and the screen displayed the dreaded Err1 message. I could have guessed what was wrong, but was really glad that I gave Skutt a call. Their technician was amazing, and patiently led me step by step through using a multimeter to diagnose the problem. It turned out to be a bad relay. That would have been minimal to replace, however, I thought it was good advice to purchase a whole new panel. The base they use now is much heavier, giving more heat protection to the elements. Considering the age of the kiln, I thought it a great value to purchase the whole panel for under $200.
Crazy, huh? It took some time to re-wire all those connections to the circuit board, carefully following Skutt’s instructions, using their thoughtfully tagged wires.
So now we’re back in business! The fusing continues. Stay tuned for some new pieces coming out of the kiln.
an artist and a farmer
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
shifting the traditional view of native american art
We have been fusing glass downstairs in the home studio since we bought our Skutt kiln in 2004. It has been a workhorse, but we are dealing with our first repair issue. We programmed it to go one night, and the screen displayed the dreaded Err1 message. I could have guessed what was wrong, but was really glad that I gave Skutt a call. Their technician was amazing, and patiently led me step by step through using a multimeter to diagnose the problem. It turned out to be a bad relay. That would have been minimal to replace, however, I thought it was good advice to purchase a whole new panel. The base they use now is much heavier, giving more heat protection to the elements. Considering the age of the kiln, I thought it a great value to purchase the whole panel for under $200.
Crazy, huh? It took some time to re-wire all those connections to the circuit board, carefully following Skutt’s instructions, using their thoughtfully tagged wires.
So now we’re back in business! The fusing continues. Stay tuned for some new pieces coming out of the kiln.
burnished metal takes flight
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
from planks to bowls
Four women who met in Industrial Design school decided to form a business, and now they offer their design creations, combining function with a whimsical sense of artistry.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
The bowls are hand-made from a variety of species of salvaged trees, one of a kind functional objects of art. I think they would be interesting mounted on the wall as a pop art installation, as well as using them on a tabletop to hold something special.
This Canadian group of friends consists of artist/designers Doha Chebib, Carmen Douville, Dara Humniski and Anna Thomas. They work both collaboratively and individually to create artwork for everyday life.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I absolutely love the metallic colors in the selection above. They were featured in 2008 in the Radiant Dark exhibition in Toronto.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I prefer the rougher textured bark, pieces coming from the natural forest contrasting so nicely with the smooth, contemporary color within.
Monsieur Dressup coat hangers, designer Anna Thomas
Their simple, elegant style stands out in a cluttered world. It reminds me of Danish products and architecture, with its plain, natural, clean lines. Visit their website to see more: www.loyalloot.com
abstraction on the grain
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
mosaic mandalas
Four women who met in Industrial Design school decided to form a business, and now they offer their design creations, combining function with a whimsical sense of artistry.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
The bowls are hand-made from a variety of species of salvaged trees, one of a kind functional objects of art. I think they would be interesting mounted on the wall as a pop art installation, as well as using them on a tabletop to hold something special.
This Canadian group of friends consists of artist/designers Doha Chebib, Carmen Douville, Dara Humniski and Anna Thomas. They work both collaboratively and individually to create artwork for everyday life.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I absolutely love the metallic colors in the selection above. They were featured in 2008 in the Radiant Dark exhibition in Toronto.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I prefer the rougher textured bark, pieces coming from the natural forest contrasting so nicely with the smooth, contemporary color within.
Monsieur Dressup coat hangers, designer Anna Thomas
Their simple, elegant style stands out in a cluttered world. It reminds me of Danish products and architecture, with its plain, natural, clean lines. Visit their website to see more: www.loyalloot.com
mwa-ha-ha-ha
Flotsam are items floating as a consequence of the action of the sea. Jetsam are items which have been jettisoned by a ship’s crew. So technically, I guess I would be dreaming of flotsam, since my subject today is driftwood art.
Eternity, Gary Cronk
Cronk is among a group of artists who carve driftwood using the LuRon Technique. LuRon is actually a trademarked name for a method of developing finished wood sculptures from found wood. Artists learn specific techniques for cleaning, design development, and finishing and displaying completed sculptures. See the website for the Northwest Driftwood Artists for a gallery of beautifully carved pieces, and more information about this carving technique.
Artist Dave Petranek
I have some of my glasswork in a wonderful gallery in the historic downtown area of Janesville Wisconsin. I was dropping off some of my pieces, and browsing through the new things when I saw the driftwood birds created by Petranek. According to Raven’s Wish Gallery owner, Alicia Reid, Dave’s garage was filling up with found wood until he simply had to do something to justify building his collection. He fits pieces together into these crazy bird forms, using a light touch to impart a subtle color quality and richness to the piece. Petranek doesn’t have a website, but he does have a Facebook page with a couple more photos.
Driftwood Assemblage by John Dahlsen
Dahlsen is an environmental artist who scours Australian beaches for materials to use in his assemblage pieces. Along with his driftwood pieces, he also creates many items from found debris. (That would be jetsam!) By making this art, he hopes to share the message for the need to care for our environment. See more of his work on his website: www.johndahlsen.com
Turtle Mandala with Driftwood, Linda Oeffling
I can’t resist the lure of collecting these twisted, water-carved pieces of wood. This is one of my smaller mandala pieces, the glass is about 3.5″ wide. Something to hang, to catch the light, turning some flotsam into a little piece of art.
construction sparkle
Four women who met in Industrial Design school decided to form a business, and now they offer their design creations, combining function with a whimsical sense of artistry.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
The bowls are hand-made from a variety of species of salvaged trees, one of a kind functional objects of art. I think they would be interesting mounted on the wall as a pop art installation, as well as using them on a tabletop to hold something special.
This Canadian group of friends consists of artist/designers Doha Chebib, Carmen Douville, Dara Humniski and Anna Thomas. They work both collaboratively and individually to create artwork for everyday life.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I absolutely love the metallic colors in the selection above. They were featured in 2008 in the Radiant Dark exhibition in Toronto.
Log Bowls, Loyal Loot Collective, designer Doha Chebib
I prefer the rougher textured bark, pieces coming from the natural forest contrasting so nicely with the smooth, contemporary color within.
Monsieur Dressup coat hangers, designer Anna Thomas
Their simple, elegant style stands out in a cluttered world. It reminds me of Danish products and architecture, with its plain, natural, clean lines. Visit their website to see more: www.loyalloot.com